Taming This Tyke's Voice Since 2007

Waiting

Waiting For The Sign

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Eyes  lie in wait ~

Day and night ~

Skies in surveillance

Waiting for the sign

That might be sent

From the future,

As the gentle streams of life,

And the rough currents

Of circumstances

That ever oppose

Mold the pebbles

In the bed of stones

By the river

Adorned by some weeds

Unimportant

Unknown.

"pebbles" pencil, pen and ink on paper by Jeques 2011

Awaiting for some hands

To pick them up.

 

Awaiting for some great minds

To give them names.

 

Unaccounted for ~

Remaining like a worthless bead

In the infinities ~

Awaiting for some gifted hands

To weave him

In the precious thread

Of chance, to adorn

Like a pendant

To rest forever

Closest to your chest.

 

Pick me from the infinities

And carve my fingers

With marks to define my distiction.

Paint my blank facade

With a face

And buy me a name.

 

Find me in the dunes.

You’d easily recognize me

Among the pebbles.

Look closely

And find in my eyes

Your own reflection:

 

Waiting for the sign.

 

 

 

 

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Deciphered

.
I once carefully picked
Pieces of letters from my tool box
And put them together
To form words,
Unintelligible.
.
I colored them dabs of meaning
Recollecting from lines
Of misty memories
Playing sad soundtracks
In pastel blues.
.
I put aside
Letters left unused.
They don’t strum
A single cord of sentiments
For now, there meaningless colors
Belonged to the empty space
Of the narratives,
Unintelligible,
That I left pending.

bougainvillea, unfinished drawing from home. Pencil, pen and ink on paper by Jeques B. Jamora, 2010

.
In my return,
I carefully uncover
Scribblings left unfinished
That I kept in my tool box,
To search for meaning
In the marks that brought back
Misty memories of sadness,
Unfathomed.
.
I traced back the lines
And re-called the thoughts
Behind the colors,
unraveled each pigment
Of the blue-tinged page,
Understood.
.
I carefully re-arranged the words,
Blend the dabs of colors
To find concealed happy hues awaiting to burst
Obscured by my limited understanding,
Emancipated.
.

Bougainvillea, completed drawing in Chicago. Pencil, pen and ink on paper by Jeques B. Jamora, 2010

.
You are a gift of my careful pursuits,
Transfiguring on the page 
That I patiently waited.
You are the produce from my labor~
.
Like a child to a mother
Hearing the child’s first cry,
Laid on her breast
Feeling the fragile life
Breathing, throbbing pulses
Of veins carrying pieces of her.
.
.
Like you,
Each word,
Each dab of colors,
A reflection of my soul ~
.
A tribute to my mother ~
 .
Deciphered.

"Mamang" and us, her Children(L-R): Nene Irene, Nong Jhuls, Nang Thez, Mamang and me(Jeques)

—–

Happy Mother’s Day to Mamang, my Sisters and all the mothers in the world!

For all the lines that I have written,

And every word that I have spoken,

A piece of me is taken.

For every time I send my greetings,

It is my heart that I am sending.

—–

Jeques, 2010. From his “Traveler’s Soliloquies” poetry collection.


Watch Me Fly

pencil and ink on paper by Jeques

A flyer

Perched, quiet

And resigned,

Watching you coquet

With the winds

And winged-deities

Flaunting.

 

I’ve Lost you in the skies

Countless times

For reasons unknown

And I don’t question.

Content of the little attention

Of few moments,

And gone.

Leaving me

For long days

Of cold hours,

And troubling dreams

In colorless nights, awake

Waiting.

 

A flyer

Perched, quiet

And resigned

Looking at the clouds 

And beyond

For signs

Of your return,

Anticipating

 

awkward starts

 

Timid stares

 

Chats in spontaneity

 

Endings that come swiftly

 

Shy divergence

 

Brief goodbyes

 

Parting touches that hesitate.

 

A flyer

Perched, quiet

And resigned

Content in the company

Of sheltering Canopy

That consoles.

Hanging on

To fibers of memories

Finding comfort

In tiny blooms;

Their lingering fragrance soothes

The aches of longing.

Vines that bridge

The absence

‘Til you’re back

To perch beside me;

Love abiding.

pencil and ink on paper, by Jeques

A flyer

Winged to soar

And suited

Daring heights ~

 

It is time.

 

In your return,

If you don’t find me

Perched as usual,

Look up to heavens

Where I belong ~

The flyer’s gone home.

 

Watch me fly.

 

Jeques, 2010. From his “Traveler’s soliloquies” poetry and artworks collection.

Postscripts:

I will be coming home to my country this month until April 2, 2010 for a vacation. I need this time to be in-touch with the navel of my journey to get hold of the loose end of entangling thoughts I struggle to find meaning. Perhaps in coming home I would find relevance in every tangled threads of thoughts, so I could move forth climbing mountains, daring heights with found clarity. I can’t wait February 10 to be home .

I wish you well.

 

~ Jeques

 

 

 

 


Always The Right Cup

 

Some days,

Like now,

I turn the faucet on

But nothing comes out.

I stare,

Turns it back off

And wait.

 

There’s this thirst inside.

Sometimes I thought,

Perhaps I picked the wrong cup

To catch the down pour

That would not come.

 

I waited too long

To quench this wanting.

But still waited.

Waited

And forgot about my thirst.

 

Some other times,

I slide the sill open

Needing the sun

That’s hidden behind the walls

Of clouds

Portending storm.

But what would I need rain

Those times when my heart is flooded?

 

Often I thought,

I should have shut it close,

But still kept the sill open

And waited.

Waited

Until I slept waiting

For things

That would not be there

When needed.

In waiting

I forget. And still

Wake up to another day

With hopes

Renewed.

 

The water runs

From the faucet most days.

There’s rain when it’s the season.

Not all days,

But there’s the sun ~

They happen in succession

For a reason.

 

Dreams – nights, days – and reveries.

In your absence,

And in waiting

I understood:

 

There’s no such thing

As a wrong cup.

It’s in how I fill it up

And with what.

 

 

 

 

 

 

 

 

 

 


Fragile Gateway

 

Steadily,

I would sit here oftentimes

Awaiting,

Anticipating,

Thoughts hovering

Fluttering

Like a pedestrian

Still,

In the corner of a street

Awaiting

For green light

For flares

So I could let my thoughts flow

From your silent signal

And walk the streets of the world

From this window,

The screen

My fragile gateway

To you.

 

(Jeques, 2009. From his A Traveler’s Soliloquies poetry collection)


Morning Panes(tanka/painting series)

  “Morning Panes”(Tanka and painting) series #1 of 3
   
Dreams sojourn ~
 Whimsy reflections
 On morning panes ~
 
Coquetting the mind
Crooning dormant soul.
 
"morning panes" #1 oil on canvas 30x40, by Jeques B. Jamora “morning panes” #1 oil on canvas 30×40, by Jeques B. Jamora

 

"morning panes" series #1 to 3 “morning panes” series #1 to 3
“Morning Panes” (Tanka and Painting) series #2 of 3 
  
Dormant soul
Hatching, awaiting
Dawn’s misty kiss ~
 
Artist awakens
Broods nestle on trees.
 
"morning panes" #2 oil on canvas 30x40, by Jeques B. Jamora, 2009 “morning panes” #2 oil on canvas 30×40, by Jeques B. Jamora, 2009

 

 
morning panes
 
“Morning Panes” (Tanka and Painting) series #3 of 3
 
  
Courage ingrained
Inside broken soul’s
Callus chest ~
  
Anticipating sunrise
Awaiting to exhale.
"morning panes" #3 oil on canvas 38x48, by Jeques B. Jamora “morning panes” #3 oil on canvas 38×48, by Jeques B. Jamora
.
I have paintings conceived from poems.
 
The images of these paintings initially presented themselves to me in words. Morning Panes, a painting series of 3(at least for now, there is more to it) is one of them. It first came to me in a poem I composed in 2003. The poem visited me in a peculiar dream of a dream within a dream. I believe many of us had experienced that, dreaming in our dream, waking up still asleep. Or is it only me?
 
That dream is a tiny drop of inspiration that created ripples of poetry series. I used to write a lot, I had the freedom of time back home and I can afford to really sit down and study my thougths and dreams in my morning pages. In 2003 I wrote the poem, Images Of You. . . 

 
In my dream
I watch you in your sleep.
My heart feels glad,
My heart leaps.
  
Images of you haunt me ~
  
From the time I wake,
‘Til my sleep.

 

That dream was so vivid I immediately wrote a poem when I awake. The imagery from the dream and the words in the poem lingered in my thoughts which I first expressed visually in a drawing, My Morning Pane, Februay, 2005. It is a self-sketch of myself on bed in my room back home in the Philippines which is the original setting of the dream, the poem, the painting.
"my morning panes" pencil on paper by Jeques, 2005 
“my morning panes” pencil on paper by Jeques, 2005
 
In 2006, I wrote another poem from the same inspiration, Evanescent Romance, this poem fits well in series #2 of the painting. Note the change of the window from the previous, it represents the many rooms we sleep and the multitude of window panes we wake up with in our lifetime yet dreaming the same dreams. Here’s the poem: 
 

We are joined by our hearts’ seeking radars.
 Our souls converge at midnight’s deep blue skies.
 We talk, our words are the infinite stars.
 We feel so intimate with our closed eyes.
 Our unions are chronicled by my pen.
 The winds’ soft whistles signal your presence.
 Your image flickers through my window pane ~
 Silhouette of my dream-lover’s essence.
 In my mind I touch the face of heaven,
 When you croon to me lovesongs of silence.
   Bliss is what my thoughts of you has given.
 You illumined my lonely existence. 
Romance confined in shadows of the night. 
 ‘Tis evanescent with the morning light.

 

These are some of the few poems I wrote that ended up on canvas, in visual form, in paintings.
 
But there are also inspirations that presented themselves to me first in visual arts. They become drawings, or sketches, or paintings instantly. In these instances, my brushstrokes are my words to create imageries that frequent my thoughts.
  
To complete the circle of poems becoming paintings and paintings becoming poems, I used the painting series, “Morning Panes” as subject and inspiration to my poems for this week’s workshop on the ancient poetry form: the Tanka. It dates back to the 7th century. A poem of five lines of 5/7/5/7/7 syllable count respectively. I strictly followed this rules in the previous Tanka’s I composed but in the workshop I attend, I learned the freedom from the Tanka minimalists, and the modern american tanka which is less restricting as to the syllable count and rather focusing on the importance of expressing an emotion or deep thought in a concise manner in the five lines which is the true beauty of writing a Tanka. Shorter syllable count in each line when achieved in 19-24 or even shorter in 15 counts at the very least instead of 31 is preferred in the modern tanka.
  
Using the Tanka structure, I took out pictures of my paintings and from the deepest recesses of my core extract words that would best express the brushstrokes. Series #3 of the painting fully express my sentiments as a dormant artist awaiting to exhale, an egg hatching, a seed awaiting for springtime, a child awaiting to be born.
And when I come to think of it, this circle of paintings becoming poems, and the poems’ metamorphosis becoming paintings, I come to realize that there’s really no single strand or line that separates them. When I paint, the brushstrokes are my words. When I write, the words are my brushstrokes to create imageries. Sketches and drawings are my scribbles, my drafts.
  
It is my commitment to my craft to achieve such seamless fusion of my paintings and poetry for both are conceived and born from my heart.
 
  
 *For more of my paintings, please click image to navigate to my art portfolio >>> 
 
 waif

  


Where Hearts Converge

Where Hearts Converge 

 

This sad ending would be our beginning ~

Face to face, you and me, aboard the train.

Together, albeit our roads parting:

Mine bounds north, yours south. Then it starts to rain.

Would time and space bring us happy ending?

Would we converge in this station again?

 

 

 

"where hearts converge" pencil, pen and ink on drawing paper by Jeques

"where hearts converge" pencil, pen and ink on drawing paper by Jeques

 

 

 

And just like that, we’re on our own again ~

Watching the blankness of our beginning

Through the panes of an uncertain ending

Like errant souls on board the express train

Listening to the sad notes of the rain

Heaven’s soundtrack to our fateful parting.

 

Time slips our palms like the daylights parting ~

‘Tis dark, and gloom embraces us again.

But our sorrows will be washed by the rain.

This railroads meet to a fresh beginning.

We will get there, let us allow the train.

And then we’ll entomb these woes to ending.

 

We travel through this passage’s ending ~

The railroads fork and we see hearts parting.

Tons of broken souls carried by the train.

But rails would weave them together again.

To debark in frontiers of beginning,

Like seed sprouting, bathed by the springtime rain.

 

As pains’ dusts settle soaked by the rain,

The turmoil alights to a graceful ending.

The heart learns to hum tunes of beginning,

And understands that even the parting

Is part of it all, then we smile again ~

As we weave our stories inside the train.

 

I get off, now enlightened, from the train ~

Mind’s pellucid like skies after the rain.

Heart’s calm awaiting to see you again.

May you look forward to the same ending,

May your thoughts not be hazed by this parting.

‘Til we reach our station of beginning.

 

Last night’s rain crooned our sorrows to ending.

Trains meet again in our point of parting ~

Where hearts converge to a new beginning.

 

(Where Hearts Converge  a Sestina I wrote for the poetry workshop I attend every wednesday. Jeques, 2009)

Have I told you I started attending a weekly poetry workshop last wednesday? I think not. The workshop will run for 6 weeks this summer. I chanced upon the Ad when I got me some books for my painting studies in Evanston, IL public libruary. I missed one session but I was able to submit a poem for the first poetry form : Cento, a poetry made up of lines borrowed from a combination of established authors, usually resulting in a change in meaning. For me, the beauty of composing a Cento is it makes you read poetry and appreciate more the lines. This poetry would be very helpful to beginners, it could be a starting point because to write poetry, a poet needs and should read first the works of other poets and Cento just  help you do that, it makes you appreaciate the work of others, makes you compose from their inspirations and perhaps help you find your voice along the way.

I was cramming when I put this cento poem together. I called tuesday(July 7) afternoon if it was possible for me to catch up since I missed the first week. Joshua, the moderator, said yes and told me about the Cento which was discussed the previous week and that I have to bring a piece the next day if I’m interested to attend. I work night shift, but I brought with me one of my favorite poetry books to work that night, and during dead hours read poems of great authors and line by line composed a Cento. The first line I got from the song, “Eversince the world begun,” the soundtrack of the 1989 movie: Lock up.  Here is the piece I put together and I read during the first session(July 8).

 

This Wanting

 

I never knew what brought me here

You entered my life in a casual way.

The dream we dream together here,

All paths lead to you where e’er I stray.

 

There is nothing that last, not one.

Yet still the story and the meaning stay.

Somebody said that it couldn’t be done.

Yet it well might be that never for me.

 

I need so much the quiet of your love.

A love like this can know no death.

I need your calm all other things above.

Your precious presence is the air I breath.

 

I want you through every changing season

If not, then let me live this life alone.

~

(This Wanting a Cento poem. Here are the poems and the authors I got the lines of this poem from: line #2 TO A FRIEND by Grace Stricker Dawson, #3 IN THE ROSE GARDEN byJohn Bennett, #4 ALL PATHS LEAD TO YOU by Blanch Shoemaker Wagrooff, #5 HER ANSWER by John Bennett, #6 THE RIGHT KIND OF PEOPLE by Edwin Markham, #7 SOMEBODY SAID THAT IT COULDN’T BE DONE by Edgar Guest, #8 OUR OWN by Margaret Sangster, #9 AT NIGHT FALL by Charles Hanson Towne, #10 AD FINEM by Ella Wheeler Wilcox, #11 AT NIGHT FALL by Charles Hanson Towne, #13 I WANT YOU by Arthur L. Gillom. Lines #12 and 14 are my original)

Last wednesday(July 8), we discussed the poetry form: Sestina. I have been always interested to try writing a poem in this form but the structure is too demanding thereby forbidding, so I always end up throwing first drafts. The reason why I’ve always longed to get myself into a workshop is to get the chance to be crafty again with poetry, and this just works that way for me. Since I’m now slowing down with painting nearing the completion of my collection, I find time to write again and the poem included here is my first produce when I finally got myself sitted again to study poetry structures and working the craft. The sentina we compose this week will be read and discussed on our next workshop this coming wednesday(July 15).

Let me share with you sestina’s definition from the Academy of American Poets

The sestina is a complex form that achieves its often spectacular effects through intricate repetition. The thirty-nine-line form is attributed to Arnaut Daniel, the provencal troubador of the 12th century. The name “troubadour” like comes from trobar, which means to invent or compose verse. The troubadours sang their verses accompanied by music and were quite competitive, each trying to top the next in wit, as well as complexity and difficulty of style.

The sestina follows a strict pattern of the repetition of the initial 6 end-words of the first stanza throught the remaining five six-line stanzas, culminating in a three-line envoi. The lines may be of any length, though in its initial incarnation, the sestina followed a syllabic restriction.

Note: I followed a 10-syllabic count in each line respectively in my poem.

The form is as follows, where each numeral indicates the stanza position and the letters represent end-words:

1. ABCDEF

2. FAEBDC

3. CFDABE

4. ECBFAD

5. DEACFB

6. BDFECA

7 (envoi) ECA or ACE ( I used ECA, please note that I also used all the 6 end-words in the last three lines)

The envoi, sometimes known as the tornada, must also include the remaining three-end words, BDF, in the course of the three lines so that all six recurring words appear in the final three lines. In place of a rhyme scheme, the sestina relies on end-word repetition to effect a sort of rhyme.

The poetry idea using the train and the train station as backdrop have been chasing me and been resurfacing my mind for more than a year now. I first got the idea when one time we took the subway here in chicago(hence, the reference to the north and south bound directions of the train), The place just poured me such an overwhelming poetry inspiration, but I did not act on it instantly for many reasons, and one of them is I’m still finding the right structure to give the poetry idea a body that it would need. Last year, I wrote the poem Summer, Gone. The poem contains some of the ideas that are infused in Where Hearts Converge. Here’s the poem Summer gone:

You came to bring me summer sunshine,

You left to leave me autumn gloom.

Like a speeding train,

Summer came

And Gone.

What happened to the vibrant days,

Where have my sunshine gone?

Why do the clouds just suddenly

Hid you?

My smile, don’t fade away

Please no!

Why do you have to give up

Your sunny yellow ~

Have I not brought

Your life some bright lights,

Why do we have to go apart

In blue?

Would the evening light

Sustain us

In this changing season,

Would it ease

The growing yearning

With its subdued

Glow?

I rest my heart

In this lonely season.

But I would keep our paths

Clear

Of grass growths.

May the railroad

That took you away

Would lead you

Back.

And when you’re tired

Chasing the changing seasons,

You could always return

To an endless

Summer ~

Here in my resolute

Heart.

I think it is also important to mention here that the heart of this poem and the sentiment I expressed here was originally conceived in the poem One Heart which I composed in 2003.

 

Two different people

 Living separate lives

Wanting different dreams

Going to opposite directions.

 

  But then they met.

 

And they become one

One heart in two different people

One in their thoughts

Going towards the same direction ~

 

  

Living the same dreams.

 

Where Hearts Converge is one of the poems I’ve written that really went through a very long process. The idea, the sentiments and the heart of the poem came and present itself  to me in fragments, but I believe I was able to gather the elements in a piece which I put together here and give it the perfect body in the sestina structure.

I already have a painting idea in mind for this poem which I conceived some few months back. The title is “Convergence,” a painting series of 4 pieces and I will be using the Kois and the elements of the railroads in the painting which I will post here when I finish the series. Until then, but for now, I included an illustration of the poem in pencil, pen and ink sketches on drawing paper.


Lessons From Autumn

~

Lessons From Autumn

BY: Jeques B. Jamora, fall, 2008

The earth calls the leaves to come home

My crying couldn’t stop the changing season.

Like my tears falling on my chest,

The autumn leaves return to the earth’s breast.

The winds of fall sing lonely tunes

The shy smile of dawn turns the day to gloom.

The heavens weep soaking the trees with rain,

As I watch you leave and endure the pain.

Destiny’s taking back my joys of spring,

My crying couldn’t stop you from leaving.

Like the leaves falling to the earth’s bossom,

I’ll await in silence ’til you come home.

The trees and the leaves taught me acceptance;

The earth taught me to wait for second chance.

 

Note: for background music, please click and play this >>> If I could be where you are


While I Was Waiting

Waiting, I sit on the city’s park-bench

And observe the busy pedestrian

Like a parade, as time moves in a cinch.

.

Some images conjure up memories

Bringing pain back that feels like heart pinch.

Reminding me of sad journal entries.

.

Some happy thoughts, too, unreel in my mind

As strangers traverse the concrete walk ways.

Evoking flashbacks like films in rewind.

.

People swarm the makeshift stalls of flowers

Picking colorful blooms in varied kinds.

Their petal droppings are lovely litters.

But I doubt it would be conspicuous

To the eyes of a city street sweeper

Whose life a routine and contenuous.

.

A grain of sweat trickles on my forehead.

My body reaction is congruous

To summer heat ~ it shines like precious bead.

.

The sounds of busy traffic in the street

Subdue the past’s bells ringing in my head.

Years go on, but things hasn’t changed a bit.

.

And then, I feel light pats on my shoulder.

I see your face, my waiting is over.

When was the last time you paid attention to the details of life? ~ Jeques


Notice Me

~

Notice me.

For once,

Just be with me.

See my heart and soul

And let time

Stand still ~

Look at me.

Show me the spark

behind those eyes

That you would not

Reveal.

Talk to me.

Translate your silence

To words

So I would fathom

The tenderness

In your glances.

Write to me.

Send me letters

Of your heart

So you would fill

My empty page,

This void

In my chamber

That patiently

Awaits.

Visit me.

Anytime of day

While I’m awake

Or even in my dreams

In my hours

Of sleep.

Touch me.

Run your finger tips

On my longing cheeks;

Reach out

For my hands

Awaiting

For your reassuring

Grip.

Show me.

What’s behind

Those elusive eyes

So afraid

To stay still

Always looking away

From my direction.

Whisper to me.

I want to listen

To your heart

And hear

The language

Of your soul.

Let it speak.

Just for a brief moment,

Please look into my eyes,

Let time stand still ~

And be

With me.